Amid the row over replacing the iconic 1971 Surrender painting at the Army Chief’s lounge, the Indian Army has clarified that the painting, depicting the surrender of Pakistani forces during the Bangladesh Liberation War, has not been removed but relocated to the prestigious Manekshaw Centre in Delhi Cantonment.

The 1971 Surrender painting at the Army Chief’s lounge was replaced by a new artwork showcasing Pangong Tso, Mahabharata-inspired themes, and modern warfare, arguably reflecting India’s increasing strategic focus on its northern border with China.

This sparked controversy, with Congress leaders Rahul and Priyanka Gandhi accusing the government of undermining India’s military history and the legacy of the Indira Gandhi-led government. Several military veterans have also voiced against

The Army, however, clarified that the relocation was a deliberate move to showcase the painting to a wider audience, including dignitaries from India and abroad. The installation ceremony, held on Vijay Diwas, was attended by senior military officials, veterans, and serving personnel.

“This painting is a testament to one of the greatest military victories of the Indian Armed Forces and the commitment of India for justice and humanity for all. Its placement at the Manekshaw Centre New Delhi will benefit a large audience due to substantial footfall of diverse audience and dignitaries from India and abroad at this venue,” the army said in a statement.

The Manekshaw Centre in Delhi Cantonment is a state-of-the-art convention centre named in honour of Field Marshal SHFJ Manekshaw, the first Field Marshal of the Indian Army.

The 1971 surrender painting remains a powerful symbol of India’s military might and its commitment to justice and humanity.

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